Like anyone new to photography, I used to be very concerned about metering. More specifically, I worried about inaccurate camera meters. When working on a studio still life, I remain particular about metering. However, I am more lax these days regarding shots taken around the city, in the garden, orContinue Reading
In March 2019, I had just gotten back into film and quickly discovered that developing and scanning costs were much higher than expected. After shooting five or six rolls of color, I decided to try a roll of Tri-X. The Tri-X took eight days to get back, the scans wereContinue Reading
I’ve tested a lot of new-to-me cameras and lenses over the last few years, and the process has become something I dread. Fortunately, all basic testing has been completed, and now I am in the “will I keep this” phase of testing. Most earlier tests were driven by the needContinue Reading
When I first started shooting film, I quickly learned that the days of cheap film development and processing were long gone. The biggest shock was that B&W cost two to three dollars more than color, anywhere from 15-17.00 per roll. Development times were also longer. Of the local shops, Dunwoody Photo, pre-pandemic,Continue Reading
After deciding I wanted to do more with photography than take pictures of the garden, I joined a community darkroom, The Photographer’s Studio (TPS) in May 2019. Membership isn’t cheap, but I was drawn to the range of classes offered and a chance to meet experienced photographers. My first classContinue Reading
For the first few months after getting my 7000i, I shot only color film because local labs charged more for B&W and only processed it once per week. I wanted to try shooting B&W, and the only workable solution at the time was to use chromogenic film. Ilford XP2 wasContinue Reading
