This was my first roll of Lomography Potsdam Kino. All winter, I’d been looking forward to shooting it. Opening the development tank, I was upset to find the negatives festooned with these odd patterns. I should have known better. While loading the film on the developing reel, it stuck,Continue Reading
Film prices are skyrocketing, which is news to no one. On one hand, I hate this. On the other hand, looking back, perhaps I’m overreacting. Consider this: In June 1976, I bought my first Minolta, an SR-T 101. It was the bicentennial year, and I spent the summer in Washington,Continue Reading
Like anyone new to photography, I used to be very concerned about metering. More specifically, I worried about inaccurate camera meters. When working on a studio still life, I remain particular about metering. However, I am more lax these days regarding shots taken around the city, in the garden, orContinue Reading
I discovered Ultrafine Xtreme in 2020. It never occurred to me to stock up on it. It seemed plentiful, and everyone raved about it, so there was no reason to fear its loss. Since I used it mainly for testing purposes, I bought only the 12-exposure rolls. To be honest,Continue Reading
Since I started doing photography in 2019, my focus has been 90% on film and gear tests. Occasionally, I mixed in a purposeful image or two that I hoped to be ”art” worthy. I now have about 15 pictures I want to print and am about to start selecting myContinue Reading
In March 2019, I had just gotten back into film and quickly discovered that developing and scanning costs were much higher than expected. After shooting five or six rolls of color, I decided to try a roll of Tri-X. The Tri-X took eight days to get back, the scans wereContinue Reading
