About two years ago, I spied what looked to be a nearly mint black SR-T 101 in a large eBay lot of four lenses, three books, an SR-T SC-II, and a pack of SR-T spare parts. Hoping to fulfill my dream of owning a black 101, I wrote to theContinue Reading
I have shot seven rolls of film in the last week or so–usually this happens when I have a lot of new ideas to try. But this time, it’s because I got a few new cameras. They are the last purchases for the VMLP; my collecting efforts are complete! TheContinue Reading
I never set out to buy an SR-2 in a deliberate sense—that is, in the same way I searched for my Maxxum 7. The Maxxum 7 was going to be the camera I used to achieve photographic perfection. At the time, the SR-2, and all SRs, for that matter, wereContinue Reading
I have before me a Minolta Maxxum 5D camera and a Sony a100. The a100 was a pandemic buy—I hadn’t planned to buy another digital camera because the Olympus e300 works fine for testing manual lenses. The a100 was the first A-mount camera Sony made after buying Minolta’s camera IP.Continue Reading
This is the first Vintage Minolta Love Project (VMLP) post. To learn more about VLMP, read this. Last year, I bid on a 35-105mm RMC Tokina lens intended for use with my recently-acquired Minolta X-570. There were plenty of pictures. When the lens arrived, I spent 10 minutes trying toContinue Reading
Pick up a camera, shoot some film, and it will soon become apparent that reproducing on film what you imagine before firing the shutter is not a simple task. Two sets of concepts and principles have to be mastered to do photography well. First, one must learn the technical/mechanical aspects—camera,Continue Reading
